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Curating under pressure : international perspectives on negotiating conflict and upholding integrity / edited by Janet Marstine and Svetlana Mintcheva.
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Catalogue Record 100079470
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Catalogue Record 100079470
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ISBN
9780815396192 (pbk)
Title
Curating under pressure : international perspectives on negotiating conflict and upholding integrity / edited by Janet Marstine and Svetlana Mintcheva.
Publisher and/or associated date/s
New York : Routledge, 2020.
Description
xxiv, 238 pages, 7 unnumbered pages plates : illustrations ; 25 cm.
Series
Museum meanings
29
Bibliography
Includes bibliographical references and index.
Contents
Pt. 1 Understanding self-censorship -- 1.Rethinking the curator's remit / Janet Marstine -- 2.Much ado about nothing: policing of controversial art in the UK / Julia Farrington -- 3.Curating contemporary global art in Doha, Qatar: anticipated "conversations," undesirable controversies and state self-censorship / Serena Iervolino -- 4.No names, no titles, no further explanations / Noam Segal -- 5.Lady disrupted: self-censorship and the processes of feminist curating in South Africa / Candice Allison -- 6.Bishan project: efforts to build a Utopian community under authoritarian rule / Ou Ning --
Pt. 2 Negotiating self-censorship -- 7.Navigating censorship: a case from Palestine / Jack Persekian -- 8.Truth or dare? Curatorial practice and artistic freedom of expression in Turkey / Ozge Ersoy -- 9.The complexity of taking curatorial risks: case studies from East Asia / Oscar Ho Hing Kay --10.Negotiating self-censorship in the representation of Colombian armed conflict / Cristina Lleras -- 11.Experimental curatorship in Russia: beyond contemporary art institutions / Nadia Plungian -- 12.From Carbon Sink to WASTE LAND: a case study in navigating controversy / Susan Moldenhauer -- 13.The bigger picture: rethinking curatorial approaches to photographs of childhood / Ceciel Brouwer -- 14.Smart tactics: toward an adaptive curatorial practice / Svetlana Mintcheva.
Summary
"Curating Under Pressure breaks the silence surrounding curatorial self-censorship and shows that it is both endemic to the practice and ubiquitous. Contributors map the diverse forms such self-censorship takes and offer creative strategies for negotiating curatorial integrity. This is the first book to look at pressures to self-censor and the curatorial responses to these pressures from a wide range of international perspectives. The book offers examples of the many creative strategies that curators deploy to negotiate pressures to self-censor and gives evidence of curators' political acumen, ethical sagacity and resilience over the long term. It also challenges the assumption that self-censorship is something to be avoided at all costs and suggests that a decision to self-censor may sometimes be politically and ethically imperative. Curating Under Pressure serves as a corrective to the assumption that censorship pressures render practitioners impotent. It demonstrates that curatorial practice under pressure offers inspiring models of agency, ingenuity and empowerment. Curating under Pressure is a highly original and intellectually ambitious volume and, as such, will be of great interest to students and academics in the areas of museum studies, curatorial and gallery studies, art history, studio art, and arts administration. The book will also be an essential tool for museum practitioners"--back cover.
Subjects
Art and society
Curatorship
Intellectual freedom
Censorship
Other Authors &/or Associated Persons
Marstine, Janet
(editor)
Mintcheva, Svetlana
(editor)
Available as
Curating under pressure
Call number
2020.331
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Catalogue Record 100079470
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A00920333
2020.331
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